America's Mixtape: Music & Social Movements, 1920s-Present
March 1- June 3
Local students from Bruce Wendt’s West High class researched songs about social movements from 1920-2010 and chose one song to represent each decade. They researched the issues and found photographs and newspaper clippings, nationally and locally, that identified with their selected song. The following is their work.
The Art of Dick Ellis
March 1 - May 6
Wildlife and landscape artwork by artist Dick Ellis, retired Region 5 Supervisor, Montana Fish, Wildlife, and Parks.
The showing presents a broad spectrum of subject matter and techniques, focusing primarily on landscapes and wildlife pieces with a smattering of portraiture and still-life paintings. The art is rendered in soft pastel, pencil, and pen-and-ink, with a number of pieces being bronze sculptures. An early interest in the outdoors, western history, and wildlife led the artist to a career with the Montanan Department of Fish, Wildlife, and Parks where he retired as Regional Supervisor in 1999. During his time with FWP, art remained a serious sideline and association with Montana’s outstanding wildlife resources, and abundant historic sites in the State Parks System, provided constant artistic inspiration. Following retirement, art became a primary focus and has resulted in an extensive collection which is now being shared with the public for the first time.
Coming Home: The Northern Cheyenne Odyssey
March 1 – June 10
This exhibit focused on two bands of the Cheyenne, the Little Wolf Band and the Dull Knife Band and focuses on only a small piece of the Northern Cheyenne history. It begins in 1876 and continues through present day with the Northern Cheyenne Reservation.
The exhibition is rare and unprecedented. It examines a most difficult and courageous time for the Northern Cheyenne people, the period from 1876 to 1884, and does so from the perspective of members of the Northern Cheyenne Nation. We focus significant attention on the events surrounding the Fort Robinson Breakout, a heroic act of escape from imprisonment on January 9, 1979, that ensured the survival of a sizeable portion of the Northern Cheyenne Nation. We placed the brave efforts of our relatives in the past within a human framework so we see their extraordinary actions, in the face of impossible odds, were the actions of real families and relatives and communities joined together to protect their loved ones, provide a homeland, and to secure Northern Cheyenne way of life for future generations.
This exhibit is presented in loving memory of Northern Cheyenne historian, filmmaker, and exhibit curator, Rubie Sooktis.
Echoes of Eastern Montana: Stories from an Open Country
This interactive exhibit will share stories of the people of the Yellowstone River Valley and Northern High Plains. Visitors can watch interviews, listen to amazing stories, read personal diaries, peruse family photo albums, copy favorite recipes, learn new Crow and Northern Cheyenne words, play interactive games, and hear local music.
People in communities as diverse as Wibaux, Colstrip, Laurel, Hardin, Forsyth, Harlowton and Billings tell compelling stories of sacrifice and struggle and offer lessons about leadership, home, and family. Come laugh at outrageous tales and discover the changing world of Eastern Montana.
Dude Ranch Lobby
The museum’s lower gallery has been made over to replicate the lobby of a 1930s dude ranch lodge. Rustic western furniture, inspired by the designs of Thomas Molesworth, and a stone fireplace, provide the ideal setting to display paintings by James Kenneth Ralston, a regional artist inspired by the great stories of the West.
J.K. Ralston: Studio Cabin
James Kenneth (J.K.) Ralston (1896-1987) was a noted western artist who lived in Billings for many years. In 1946, Ralston and his son built a log cabin to serve as the artist’s studio. In 2005, the cabin was moved to the Western Heritage Center and the cabin’s interior was restored to reflect his working environment. Ralston’s oil paintings and sketchbooks include scenes depicting his early years growing up on ranches and riding the range in Montana. He relied on family heirlooms and collected artifacts to help him create accurate depictions of famous western events. The Western Heritage Center merged with the J.K. Ralston Studio and now houses a significant repository of the famed artist’s letters, memorabilia and artwork.
In Voice of the Curlew (J.K. Ralston Studio, Inc.:1986) Ralston is quoted as saying:
"In looking back over the years, I must say the art game has been good to me. It has been rewarding far beyond anything I ever dreamed of as a small boy living on ranch along the Missouri River. Art was always the way I found to express myself and of the things that have meant so much to me and to my people.
I’m glad that the dice was so rolled out that to be a cowboy I was born. I saw the curtain rung down on the last of the old time range business in Montana. Like a lot of others, I hated to see it go. Now it is history and I am very, very glad that I lived in time and to see and be part of it.
I have been drawing pictures as far back as I can remember and I have made it my life’s work to try and make the old west live on canvas."
American Indian Tribal Histories Project
The permanent American Indian Tribal Histories Project Exhibit provides visitors with an overview of Montana’s Native American tribes through maps, tribal flags and an explanation of their symbols, Crow and Northern Cheyenne tribal member oral histories and a chronology of the American Indian Tribal Histories Project, whose mission is to preserve and maintain American Indian tribal histories and culture.